Author: shamefilemusic

Shame File Music is importing Judith Hamann’s two debut albums from Blank Forms. Pre-orders available now, stock due to arrive in Australia late November 2020; import numbers will be based on these pre-orders, reserve yours to avoid disappointment (and horrendous overseas shipping costs):

Shaking Studies LP

Music for Cello and Humming CD

Copies arrived last night, pre-orders will be shipped out in the next week or two. The special pre-order price of $12 remains until 15 August, order here. Digital version also available on Bandcamp.

Still taking and shipping orders through Melbourne COVID-19 shutdown.

Shame File Music invites submissions from sound artists/musicians in Melbourne who have made/ are making recordings this year during the various COVID-19-related lockdowns, to be collected into a digital compilation album.

Music Under Lockdown will document this unique time for artists in Melbourne. We ask for recordings made during, and in some way in response, to the various levels of lockdown we have and continue to live under. They don’t necessarily need to be high quality performances or recordings, I’m more interested in how they reflect lockdown and our responses to it.

I recognise and acknowledge artists in other cities and countries also living and working in these unique circumstances to various degrees, but this particular collection will focus on artists in Melbourne.

Please submit to cdgsham@nullgmail.com :

• audio recording (.wav file preferred), clearly identifying the track and artist name.
• some text describing the recording, the circumstances in which it was made, where (location, suburb, etc), and how it responds to lockdown (these texts will be included in the liner notes).

As this will be a digital-only release, there is no limit on maximum track duration, however it your track is very long, it needs to be for a good reason.

UPDATE – Music Under Lockdown: Melbourne 2020 is out now. Submissions of tracks made during lockdown (made before 9 November) remain open until the end of 2020 for a potential Volume 2.

Looking for a lockdown project? Great Rack comes to the rescue with the release of “sample pack”, a pack of 100 free samples, that Emily Bennett invites you to do with what thou whilt.

The A3 Korg Signal Processing Rack was the mainstay of Great Rack, the alias of Emily Bennett, in the improvising experimental trio Great Rack and an Empty Club Reverb. The machine’s 1988 volatility has been distilled into a downloadable pack of 100 vocal samples ready to be chopped and sampled for future music and beat making.

What started as a semi-daily project for Bennett documenting and recounting share house living and collective collaborations with experimental improvisers and music-makers in Melbourne from 2017 to 2019, “sample pack” has resulted in a distinct collection of samples and micro-loops sent through a chain of effects for each preset.

Each track has been mixed, mastered and co-produced by artist and sound-maker Marco Cher-Gibard. The pack also features special guests throughout who were playing and performing with Bennett, giving brief glimpses into the improvised and experimental scene at the time.

Out now (split release with Iceage Productions) is the penultimate edition of the Surface Noise series, which each include live recordings from two artists; one invited by the labels, the other then nominated by that artist. This volume features two key Melbourne music identities: instrument builder/kinetic sound sculpture maestro, Ernie Althoff, and vocalist/composer/performer, Carolyn Connors.

Limited edition of 50 hand-numbered copies.

The Surface Noise series so far:

Volume 1: cleaning lady/Klunk
Volume 2: Cat Hope/White Drummer
Volume 3: Joe Musgrove/Makro & Detlev
Volume 4: Ben Byrne & Rosalind Hall/Anthea Caddy & Matthew Davis
Volume 5: Dotabata/Llara Goodall
Volume 6: Jenny Barnes/Alice Hui-Sheng Chang, David Brown, Nigel Brown, Tim Catlin, Rosalind Hall, Michael McNab
Volume 7: Club Sound Witches/The Mermaids
Volume 8: Snacks/Laura Altman & Monika Brooks
Volume 9: Ernie Althoff/Carolyn Connors
Volume 10: TBA

Arthur Cantrill “Chromatic Mysteries: soundtracks 1963-2009”

To celebrate the 10th anniversary of the release of this album, Shame File Music makes Arthur Cantrill’s astounding soundtracks available on Bandcamp, along with a PDF of the original liner notes by Cantrill and Warren Burt. CD copies still available, too; the full colour booklet and cover featuring images from Arthur & Corinne Cantrill’s film “The Room of Chromatic Mystery” are one of my most favourite things I’ve been involved in designing.