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SALE

Help me clear out the Melbourne lockdown cobwebs by indulging yourself in these discounted sale items (whilst stocks last, etc).

(All orders within Australia over $100 are postage-free)

2work@once “2002-2003 CD – $9

180º “Submental” CD – $12

Ernie Althoff “Catchment” CD – $13

Ernie Althoff “Dark By 6” CD – $13

Todd Anderson-Kunert “When There Is Nothing Left To Say” LP – $15

Big City Orchestra “Greatest Hits & Testtones” CD – $8

BP$$CH “LOAD “*”,8,1″ CDR – $5

Jonas Braasch “Global Reflections” CD – $9

Chris Brown “Talking Drum” CD – $8

Arthur Cantrill “Chromatic Mysteries: soundtracks 1963-2009” CD – $15

Arthur Cantrill “Hootonics” LP – $20

The Carrier Band “Voice Coil” CD – $8

The Carrier Band “Automatic Inscription of Speech Melody” CD – $8

Eugene Chadbourne “Viajando Hacia Adelante Y Hacia Atras En El Tiempo Con El Loco Doctor Chad: 30 Years Of Rarities” 2CD – $9

Club Sound Witches “#freakinmeout” CD – $10

Cohen/Finkelman/Gersh “Straylight” CD – $8

Couch “Thursday” cassette – $5

Crewdson/Farrar/Longmore – “Live at Blindside” cassette – $5

Deep Listening Band “Tosca Salad” CD – $8

Deep Listening Band/Joe McPhee Quartet “Unquenchable Fire” CD – $8

Jim Denley/Eric Normand “Plant II” CD – $12

Jim Denley/Eric Normand “Plant 3” LP – $15

DMV “Flies in the Face of Logic” CD – $8

Evidence “Iris” CD + DVD – $10

Shane Fahey & Tegan Northwood “Sounds of Homes: Kioloa and Murramarang National Park, New South Wales” CD – $10

Peter Farrar “Avocado” LP/CD – $15/$12

Fast Forward “Same Same” CD – $9

FTRG “Atavistic” CDR – $5

Dale Gorfinkel “Switches & Hose” LP – $15

Clinton Green “In Situ” CDR – $5

Clinton Green “Thylacine” CD – $5

Clinton Green “Young Women of Asia” lathe 7″ – $12

Arek Gulbenkoglu “End-music” CD – $6

Hamilton/Silverton/Margolis “Analogue Smoque” 2CD – $11

If Bwana “33 Birds Went” CD – $8

If Bwana “Breathing” CD – $8

If Bwana “Clara Nostra” CD – $8

If Bwana “I, Angelica” 2CD – $10

If Bwana “Tripping India” CD – $8

If Bwana “An Innocent, Abroad” CD – $9

interface “Field Recording H” DVD – $10

Martin Kay “Stadium” CD – $7

Kiva 2CD – $10

Rune Lindblad “Objekt 2” CD – $8

Luft “Volume 1: Inhale” CD – $15

M.A.N.K./Screwtape “Eating Shit for Breakfast/They Hate Us” cassette – $3

Al Margolis/If Bwana “Rex Xhu Ping” CD – $8

Gen Ken Montgomery “Pondfloorsample” 2CD – $9

Montreal Sound Matter CD – $8

Rhys Mottley “Parasite” CD – $12

Nadir “Excessive Redundancy” LP – $15

New Circle Five “Dreaming Wide Awake” CD – $8

Matthew Ostrowski “Vertebra” CD – $8

David Palliser “Soot” CDR – $5

r.domain “In Remembrance” CDR – $5

Dana Reason “Primal Identity” CD – $8

Roger Reynolds “All Known All White” CD – $8

Roger Reynolds “Process and Passion” 2CD – $9

Matt Rogalsky “Memory Like Water” 2CD – $9

Neil B. Rolnick “Fish That Love” CD – $8

Michael J. Schumacher “Five Sound Installations” DVD-ROM – $9

Screwtape “Let Art Be Vomit” CDR – $5

Screwtape “Lower Forms of Life” cassette – $3

Screwtape “Whenever I Hear the Words Pop Culture, I Reach for My Gun” mini CDR – $3

Scott Smallwood “Electrotherapy” CD – $8

Splinter Orchestra “Mungo” 3CD – $22

Tarab “Idée fixe” mini CD – $6

Teletopa “Tokyo 1972” 3LP/2CD – $36/$21

Timeless Pulse “Live at CNMAT 2002” CD – $8

Trigger “All These Things” CD – $8

Various Artists “Artefacts of Australian Experimental Music: volume II 1974 – 1983” 2CD – $27

Various Artists “Beanbag Aesthetics” double mini CDR – $15

Various Artists “DIY Canons” 2CD – $12

Various Artists “Travels of the Spider” CD – $8

Various Artists “Trios” CD – $8

Dmitri Voudiris “NPFAI.1/PALMOS/NPFAI.3/PRAXIS” CD – $8

Ren Walters/Clinton Green/Michael McNab “At the Salt Museum” CD – $10

David Watson “Fingering an Idea” 2CD – $9

Felix Werder “The Tempest” CD – $8

Brian Wilson “Things Heard Unheard” CD – $8

James Worse “Testuary to Lullaba” CD – $8

Zanana “Holding Patterns” CD – $8

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NEW RELEASE (sham115) Astasie-abasie “Molecular Gamelan” CD – special pre-order price for CD – digital now available

Shame File Music is delighted to present these fascinating experiments in micro-percussion and temporal displacement from Astasie-abasie AKA Ian Andrews, he of early-80s Sydney tape fuckery projects like The Horse He’s Sick, Kurt Volentine, Cut with the Kitchen Knife and countless others. “Molecular Gamelan” records the agitation of small metal washers by hand drills/screwdrivers/film winders, and shrinks the listener down to a micro-sonic world.

Download/stream now, CD available in July, pre-order now for this special discounted price.

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NEW RELEASE (sham116) Ernie Althoff “Two Long Works” digital

Two Long Works is the new album from Melbourne sound artist and instrument-maker, Ernie Althoff.

Following the musical rest period triggered by the crazy Covid cataclysm of 2020, I emerged from it with these two overly lengthy tracks. “HRWT” uses two recordings of kinetic music machines, digitally altered in both tempo and pitch. The other two instruments are manually played. One is a cardboard resonator box strung around with three thick and five thin elastic bands. Calling this simple device an instrument is almost flattery. The other is another ‘string’ instrument using the metal wires and frame of an egg-slicer attached to a wooden resonator box.

“Half as” mimics the sonic palette of its longer partner. Again, recordings of two kinetic machines have been digitally altered. The elastic band instrument now has an extra bass string, and the metal wire sounds now come from a three-slicer setup on a single long resonator box. Previously plucked, in this track it’s mainly beaten with sticks.

Available now for free streaming and free/pay-as-you-feel download.

Ernie Althoff is a Melbourne sound artist and instrument maker active in Australian experimental music since the late 1970s. He is unique not only for the original textures and sonic elements he creates, often tempered with wry humour, but also for his practically continuous contribution to and participation in the Melbourne experimental music community for over four decades.

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Shame File Music mix on Mixcloud

Here is a mix including Shame File Music releases from the past year or so, some of our favourite recent distribution items in the shop, along with a reissued blast from the back catalogue.

  1. Carolyn Connors “Live at Make It Up Club, 2012” from Surface Noise Vol. 9
  2. Dydsu “Consume K” from Consume K
  3. Clinton Green “Only (Two)” from Relativity/Only
  4. Astasie-Abasie “Vicissitudes” from Molecular Gamelan(coming soon)
  5. Firoza “Fragment 7” from In the Noon of Ashura
  6. Bill Fontana “Landscape Sculpture with Fog Horns (installation version 1981) from Landscape Sculpture with Fog Horns
  7. Clinton Green & Barnaby Oliver “The Interstices” from The Interstices Of These Epidemics
  8. Anthony Pateras/Erkki Veltheim “Ersatz” from Duos for Other Instruments
  9. Great Rack “Tremlux” from sample pack
  10. Great Rack “Woman” from sample pack
  11. Great Rack “Rockmen” from sample pack
  12. Conlon Nancarrow “Study No. 25” from Studies for Player Piano
  13. Club Sound Witches untitled from #freakinmeout
  14. Great Rack “Rev Bass” from sample pack
  15. Overtone Ensemble “Heliotrope” from 2
  16. Jean DL/Rutger Zuydervelt “Scrambling 5” from Scramblings
  17. Bruno Duplant “Premier Nocturne” from Nocturnes (3 etudes)
  18. Isolation Improvisation Collective “Dares to Claim the Sky” from Telematic Music
  19. THIS Ensemble “Cat Got Your Tongue?” from Brown Paper Business
  20. Katerina Stathis “Beyond Clouded Skies (Eta Aquariid), May 6 – 4am” from Music Under Lockdown: Melbourne 2020
  21. Undecisive God untitled from self-titled
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(sham023) Undecisive God “Offering” CDR now on Bandcamp

Here’s Undecisive God’s 2003 monolithic ambient/drone guitar album, on Bandcamp for the first time. CDR version also available. Maybe a misstep including a cover of Sonic Youth’s “Mote”, but credit to their influence at the time should be paid, I guess. The rest of the album I still like a lot, and can listen to it now like it came from someone/somewhere else – Clinton.

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NEW RELEASE (sham114) THIS Ensemble “My Umbrella Is Another Word for Community” digital/CDR

THIS Ensemble’s “My Umbrella Is Another Word for Community” comes from the apex of the group’s 2014 live activities. It is a companion album to THIS Ensemble’s “Brown Paper Business” double CD/boxset (sham112), recorded in 2016.

Download/stream “My Umbrella…” 

Purchase the CDR

Purchase THIS Ensemble’s “Brown Paper Business” 2CD boxset and get a copy of “My Umbrella…” on CDR free.

THIS Ensemble, Ren Walters’ large-scale improvising group, began around 2006 with the main defining characteristic that the line-up would be different for each performance. Ren worked with various forms of structured improvisation in the Ensemble, such as giving different directions to separate musicians and durational guidelines.

By 2013, Ren’s direct influence on other members had almost completely dissipated, yet his subtle role in bringing and fostering engagement between a range of individuals was pivotal. In 2014, the group broadened to include performers from other disciplines beyond music, such as dancers and actors. This “MKII” version of the group was broadly active from 2014-2016, mostly performing at Moreland City Band Hall, in Cross Street, Brunswick. These sparsely-attended performances played out in increasingly-longer and sprawling durations, often continuing into the early hours of the next morning. The line-up continued to be fluid for each performance, with a group of 5-6 regular participants emerging to form a core.

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QUIET NOISE X

Annual backyard show Quiet Noise is back post-lockdown with a special Autumnal edition.
Quiet Noise X
Erin K. Taylor
Nick Ashwood/Clinton Green/Michael McNab
Tarab
Saturday 17 April 2021 – 2pm.
West Footscray
Free.
BOOKINGS – email cdgsham@nullgmail.com to secure your place (in case changes to COVID conditions restricts audience numbers).
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‘Relativity/Only’ Album Launch – Thursday 25 March 2021

Relativity/Only Album Launch
Thursday 25 March 2021, 8:30pm
Avalon Bar, 387 Brunswick St, Fitzroy
$10

Clinton Green’s new album Relativity/Only (out now on Nice Music/Shame File Music) will be launched later this month at Avalon (former site of Polyester Records).

I will be constructing the sound sculpture that generated the music for the album (three turntables with suspensions and objects) for the event, and hopefully playing the tracks on Side A of the album on a “loop”, so to speak.

I will also be joined by Nick Ashwood and Michael McNab, and we’ll then play a “quartet” with the sound sculpture.

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NEW RELEASE (sham111) Clinton Green “Relativity/Only” LP digital out 4 March

Shame File Music in conjunction with Nice Music presents Clinton Green’s new album Relativity/Onlyavailable digitally and on limited edition 12″ vinyl.

Preview track and pre-orders available now through Nice Music. Out on 4 March 2021 (when copies will also be available here).

“Relativity/Only is Green’s clearest refinement of the dutiful and curious work he has cultivated over several years in recording his gently automated percussion experiments. Green conjures a celestial zoom view of a very private cosmos, using turntables as a source of movement and various static or suspended instruments and repurposed objects, captured in a softly endless world of binaural ambience. Unable to repeat a single step or rhythm given the mostly hands off methods Green employs within simple physics and gravitational axioms, this pointillist approach to automatic composition almost seems to render time or duration static. Encouraging the listener to either take in the view as a moment’s glimpse or to become deeply engrossed in its crevices, Green’s work offers as much or as little as the senses care to seek. Perhaps akin to watching a fireplace at night or watching ants march through the grass.

“Percussion ephemera recorded this quietly could indeed pass experientially as ‘ambient music’ at this point, but a rare kind in its strict absence of any electronic signal or sustained tones. And is ambient music dictated by how little it distracts the ear? Surely a misnomer if so. Green’s loving supervision of these quietly magical instant compositions splays his work bewitchingly over many worlds of compositional reference; a spectral wonder given only the most skeletal elements do all the talking.”

See this post on Clinton’s website for some history on the making of the album, including photos from the recording session and sketches/scores.