Here?/Secret is a new work of tape compositions reimagining voice and the reverberant influence of collaboration, by Australian experimental musician Clinton Green.
The seeds of this project were planted during Melbourne’s hard COVID lockdown of 2020, when I could not access my studio and the majority of my equipment. After several months of not making any new music, I felt it imperative to do SOMETHING, and looked at what I had around me at home:
– Some cheap Walkmans
– Some cassettes that had been generated over several performances and rehearsals around 2015-16.
This newly released two-track set makes no attempt to conceal the ugly, knobby seams and blemishes inherent to physical media and fusions or exhumations thereof; like a zealous dig through the bargain cassette bin at your local thrift store—old answering machine archives and sound effects collections and obsolete dictations and forgotten world music thrown (in)discriminately into the “yes” bag—“Here?” stitches an abstractly (yet disturbingly) coherent sequence from voices mangled to oblivion and harsh analog ephemera, while “Secret” plays with sputtering negative space, radio squawks, and sporadic bursts of raucous, chattering chaos made even more gleefully caustic by the hiss and screech of the low-fidelity playback. Moments of warm beauty also lurk quietly in the marshes of both halves, only briefly emerging when absolutely necessary to avoid wasted impact: a flutter of buzzing drone like a ray of light through the dust, a snatch of familiar innocence amidst bedlam. Lovely stuff – Noise Not Music