This album showcases Catlin’s unassuming expertise with the finer aspects of the mechanically prepared guitar. For all of its dynamic frequencies and crosshatched vibrations, Radio Ghosts is devoid of Marshall stacks, Sunn amps, and stomp boxes, as Catlin captures the acoustic phenomenon of the guitar’s transient vibrations and steers clear of any tricked out sonic demolition. Instead, Radio Ghosts focuses upon the minutiae of the guitar: wood, strings, and amplifier. Through his refined, tabletop guitar techniques, Catlin prefers to set his guitar in motion, allowing the process dictate the course of action with minor edits and sleights of hand from the composer himself. Catlin’s drone guitar work is simultaneously capable of expressionistic illusions (e.g. cicada choruses, industrial grind, uncanny ephemera from the radio waves, etc.) and a sonic transcendence of pure sonic introspection.