The final document from the electro-acoustic composer Helmut Schäfer who died in 2007. The Austrian artist spoke of his work as “characterized by the use of very intense and direct musical language which powerfully describes his personal experience and reflections on society structures, the blindness of modern and informed masses and everyday functionalism in between civilization.” That intensity of expression manifested itself through performances and collaborations that took Schäfer around the globe, including presentations at Documenta X and ARS Electronica both in 1997. For all of his tireless work, Schäfer’s recording output is relatively small, focusing mostly on his collaborative work with noted musical extremist Zbigniew Karkowski.
Schäfer posited Thought Provoking as a radical shift from his brutalist electronic engineering to a spatialized, open-ended composition based on the muffled tones from an ad hoc instrument he built from salvaged church organ pipes and hair dryers. The first presentation of this work took place in his home town of Graz, Austria in 2003; the second was a collaboration with violinist Elisabeth Gmeiner in Vienna two years later; and the third & final performance occurred in 2006 with percussionist Will Guthrie and Gmiener at the St. Andre Church where he first presented it in Graz. After Schäfer’s death, Guthrie reconstituted the rehearsal takes from that performance for this recording of Thought Provoking III, attempting to re-imagine the controlled energy of those sessions with Schäfer’s aesthetic framework at the forefront. The bellowing hums from Schäfer’s organ pipe and hair dryer contraction ebb and flow amidst intermittent percussive flourishes, subtle gong overtones, sustained violin trills, and fizzling electronic mark-making. On the second track of this disc, long-time friend Zbigniew Karkowski presents a smoldering electro-acoustic remix of Thought Provoking III as a fitting tribute to Schäfer.