Decibel performs four works by Alvin Lucier, three of which are previously unrecorded. Ever Present (2002), the only work offered here that has been recorded before is for flute, saxophone, and piano with slow sweep pure wave oscillator and is considered by many to be Lucier’s most musical work. Carbon Copies (1989) is for saxophone, piano, flute and playback; the work investigates musicians imitating their environments. Hands (1994) is for organ with four players. The performers use their hands to subtly alter the harmonics produced from the pipes of an organ. Shelter (1967) is for vibration pickups, amplification system and enclosed space and finds Lucier offering the sounds of outside a performance space. All these works as always are amazing examples of Alvin Lucier’s fertile mind and exploring, experimental sensibility. One of the true originals. Alvin Lucier was born in 1931 in Nashua, New Hampshire. He was educated in Nashua public and parochial schools, the Portsmouth Abbey School, Yale, and Brandeis and spent two years in Rome on a Fulbright Scholarship. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tunings with pure tones, sound waves are caused to spin through space. Please note: This release is packaged in 11” x 17” card type stock paper, folded, inserted into re-sealable plastic sleeves.