Description
A great selection of contemporary Australian electro-acoustic compositions performed by new music ensemble, Decibel, exploring graphic and mutating notation from a range of Australian composers. Lindsay Vickery’s “Ghost of Departed Quantities” is the standout piece; a composition which gradually disappears over time as parts of the score disappear before the performers’ eyes. Also included is Julian Day’s sonic interpretation of building demolition “Beginning To Collapse”, Alan Lamb’s “The Infinity Machine” (ending in a locked groove), and other works by Cat Hope, Malcolm Riddoch and Stuart James. Comes in a gatefold cover with LP size booklet and download code.
